I’M RELEASING ONE OF MY BOOKS NEXT MONTH!

Hello, hello! I’m back after a much-needed break and horrible morning sickness.

Several months ago I was talking to one of my best friends. And I asked for his honest opinion of which book idea I should work on next. As I rattled off each ideas his “ooh’s” grew more enthusiastic until finally when I was done he said, “Okay… my honest opinion, is that you need to learn how to mass produce so that you can write every idea you have.”

And I felt that in my soul.

I started writing even MORE and FASTER than before. I worked up my own process into what I call a “half-draft”. (Cramming the bare bones of a novel into 30k words and then editing from there). And when I realized I could actually “mass-produce”, I suddenly saw my work with a clearer vision.

I saw my books in different places with different audiences. I saw different platforms and distribution. I saw the books that strongly fit into the traditional publishing market and the ones that were better suited elsewhere. I metaphorically looked at the several projects in my lap for the last five years and said to myself, “People should read this.”

And on top of all those revelations, the most glaring one was:

This Beatles book is going to be impossible to publish.

The copyright issues of using real people, real songs, real events is kind of a nightmare. Which, I knew (slashed ignored) that problem when I first began the novel years ago. And now I’m here like, “What do I do with this thing?”

So I thought…

If I can’t sell it… what if I gifted it instead? … To YOU… FOR FREE. I’ve talked about it for so long on this blog and besides I have a lot of other projects that I could develop for publishing.

The reason WHY I wrote the book in the first place was because an elderly writer on hospice gave me this advice, “Take the strangest idea that you have and write that.” … Well, the strangest idea I had (at that time) was a time-traveler who was forced to go back in time and marry John Lennon away from his band. That advice liberated me from expectations, and I wrote a whole ridiculous book just for me. And since I wrote it for myself for fun, I don’t see why you can’t just have it for fun.

So I’m releasing Love Me Do here on the blog. Totally for free. One chapter every Thursday starting in February.

*This will NOT effect “Kid’s Say the Darndest Things” that will still come out the beginning of every month.*

>>Click here to learn more about Love Me Do and read the “back cover blurb”<<

*You do not need to know anything about The Beatles to enjoy the book. Although fans would probably enjoy this book best, it was written in such a way that a non-fan could easily follow along.*

I’m SUPER resisting the urge to tell you how convoluted the plot is. And that it’s kinda dumb and hasn’t seen a professional editor. But I’M NOT GOING TO TELL YOU ALL THAT OR HOW BAD IT IS, SO FORGET IT!

I’m terrified of putting myself out there, but I am doing it anyway! And speaking of putting myself out there… I’m also launching a Patreon in a couple of weeks! So even though the entire novel will be released FOR FREE one chapter a week on this blog you can support me by becoming a Patreon and get lots of monthly goodies like early access to chapters, sneak peeks of other projects and even a physical signed copy of the book in the mail!

Stay tuned for lots of fun “behind the book” stories and mark your calendars, Chapter One posts on February 3rd.

Three Things You Didn’t Know About Ferris Bueller’s Day Off

A long time ago, toward the beginning of the 2020 quarantine, I posted this joke:

And well YOU ASKED FOR IT.

So here are my top three break-down theories on Ferris Bueller’s Day Off. (Spoilers. But if you haven’t seen this movie yet, I really don’t know what you’re waiting for)

1 Cameron Fry is the protagonist. Ferris Bueller is the narrator

The last time I watched this movie, I thought to myself, “This would make an excellent YA novel from the point of view of Cameron Fry.” That’s when the dynamic really became clear. This movie is Cameron’s story. Not Ferris’.

At the beginning of the movie, we see Ferris Bueller… super cool, untouchable, clever, and mischievous. And at the end of the movie, we see Ferris Bueller… super cool, untouchable, clever, and mischievous. He remains constant throughout the movie, he doesn’t have an arc. He doesn’t change. And he’s not supposed to! He acts as a constant change agent that shapes all the other characters around him. (More on that in point two).

In the contrast, we see Cameron at the beginning of the movie- sick, miserable, “not dying, just can’t think of anything good to do”. The character has a problem to be solved, like all good and compelling protagonists. He’s about to make a change. It’s The Hero’s Journey. He’s had the literal “call to adventure” and is now being forced out of his comfort zone into this crazy escapade with his best friend.

It’s not even Ferris’ DAY OFF, if you think about it. Ferris has already missed school nine times up to this point. This is Cameron’s Day Off.

Ferris is the narrator for Cameron’s story. Even stylistically, he breaks the fourth wall to look into the camera and address the audience directly. If you still don’t believe Cameron is the main character, consider this: Ferris doesn’t talk about the other characters. He’s not telling you how he met Sloane. Hardly the only thing he says about Jeanie is that she got a car and he didn’t. Throughout the movie, he tells the audience about Cameron. His cold relationships with his parents, his character flaws. Cameron Fry is the focus because he is about to make the biggest change (AKA protagonist)

2. Ferris helps the characters grow up not down

At a quick glance, you might think that Ferris is encouraging his friends to go off on a childish adventure. But he’s not. He’s forcing them to challenge authority and assume their own identities as adults. They’re not skipping school to go to the local arcade (which is what Rooney thinks they’re doing). He’s taking them to art museums, fine restaurants, and even the stock exchange. At every moment he’s challenging them to give up their passive childhood for an independent adulthood. Even Sloane is challenged by Ferris in this way when he asks her if she wants to get married.

It’s not about the irresponsibility, although he knows how to do that well. As the active change agent in the story he has a motive for each person. For example, it’s not about stealing the car, he’s getting Cameron to challenge his father.

In the B story, Jeanie is also forced to change in this way. She constantly gripes and moans about having no control in her life (If I was BLEEDING out my eyes you’d still make me go to school). Then after a therapeutic conversation with Charlie Sheen, she has FERRIS busting his a$$ to beat her home and SHE is the one to save him from Rooney. In parellel to Cameron’s story, she takes back her control.

3. Ferris Bueller is actually John Lennon

You really think I could go one blog post without mentioning this guy??

Okay but this is FOR REAL. I know a fellow Lennon-obsessed writer when I see one. And Hughes no-doubt-in-my-mind modeled Ferris Bueller after John Lennon. He basically tells us upfront.

Ferris first directly name drops Lennon to the audience, by quoting; “I don’t believe in Beatles, I just believe in me.” Then he tells us, “I could be The Walrus.”

Ferris spends the movie as the leader, challenging authority and encouraging mischief and mayhem a la “A Hard Day’s Night”. Hughes even recreated the same shot of them jumping in slow motion with their arms raised.

Then of course to cap it all off. He lip syncs to Twist and Shout on the parade float. And I really don’t know how you can get anymore obvious than that.

If you don’t believe that Hughes would go to such lengths to model a character after Lennon, consider The Breakfast Club, when the janitor readily admits that he wanted to “grow up and become John Lennon”. Or when Brian the Brain whispers to himself about being The Walrus.

At the very end of the film, Ferris leans back in his hands and says the classic line, “Life moves pretty fast, if you don’t stop and look around once and a while you could miss it.”

…Which is supposedly a derivative of this quote…

BONUS!

I truly feel that I would be amiss to not lead you into this excellent conspiracy theory from the inner depth of Redditt. The theory is that Ferris is actually a figment of Cameron’s imagination. It’s a more compelling theory than you would think! I’ll leave the video here, so you can have your mind blown.

I Randomly Generated an Emotional Short Story using only Shrek References

shrek

Swamp Feelings

A Short Story
by Val Manwill

Shrek had always loved the stinky swamp with its bad, bitter boulders. It was a place where he felt lonely.

He was a green, scary, muskrat stew drinker with green skin and large hands. His friends saw him as an old-fashioned, obnoxious ogre. Once, he had even revived a dying, legless gingerbread man. That’s the sort of man he was.

Shrek walked over to the window and reflected on his muddy surroundings. Duloc teased in the distance like fighting dragons.

Then he saw something in the distance, or rather someone. It was the figure of Donkay. Donkay was a big donkey with a hideous tail and powerful fur.

Shrek gulped. He was not prepared for Donkay.

As Shrek stepped outside and Donkay came closer, he could see the important glint in his eye.

Donkay gazed with the affection of 3765 ugly fine fairy tale creatures. He said, in hushed tones, “I love you and I want friendship.”

Shrek looked back, even more gassy and still fingering the Shrekish goblet. “Donkay, ogres are like onions,” he replied.

They looked at each other with angry feelings, like two breakable, burnt blind mice saving at a very ogre quest, which had Smashmouth music playing in the background and two shreky uncles swamping to the beat.

Shrek studied Donkay’s hideous tail and powerful skin. Eventually, he took a deep breath. “I’m sorry,” began Shrek in apologetic tones, “but I don’t feel the same way, and I never will. I just don’t love you Donkay.”

Donkay looked god-like, his emotions raw like a prickly, pretty pitchfork.

Shrek could actually hear Donkay’s emotions shatter into 7420 pieces. Then the big donkey hurried away into the distance.

Not even a drink of muskrat stew would calm Shrek’s nerves tonight.

THE END
Many thanks to the plot generator for this piece of important literature: