Three Things You Didn’t Know About Ferris Bueller’s Day Off

A long time ago, toward the beginning of the 2020 quarantine, I posted this joke:

And well YOU ASKED FOR IT.

So here are my top three break-down theories on Ferris Bueller’s Day Off. (Spoilers. But if you haven’t seen this movie yet, I really don’t know what you’re waiting for)

1 Cameron Fry is the protagonist. Ferris Bueller is the narrator

The last time I watched this movie, I thought to myself, “This would make an excellent YA novel from the point of view of Cameron Fry.” That’s when the dynamic really became clear. This movie is Cameron’s story. Not Ferris’.

At the beginning of the movie, we see Ferris Bueller… super cool, untouchable, clever, and mischievous. And at the end of the movie, we see Ferris Bueller… super cool, untouchable, clever, and mischievous. He remains constant throughout the movie, he doesn’t have an arc. He doesn’t change. And he’s not supposed to! He acts as a constant change agent that shapes all the other characters around him. (More on that in point two).

In the contrast, we see Cameron at the beginning of the movie- sick, miserable, “not dying, just can’t think of anything good to do”. The character has a problem to be solved, like all good and compelling protagonists. He’s about to make a change. It’s The Hero’s Journey. He’s had the literal “call to adventure” and is now being forced out of his comfort zone into this crazy escapade with his best friend.

It’s not even Ferris’ DAY OFF, if you think about it. Ferris has already missed school nine times up to this point. This is Cameron’s Day Off.

Ferris is the narrator for Cameron’s story. Even stylistically, he breaks the fourth wall to look into the camera and address the audience directly. If you still don’t believe Cameron is the main character, consider this: Ferris doesn’t talk about the other characters. He’s not telling you how he met Sloane. Hardly the only thing he says about Jeanie is that she got a car and he didn’t. Throughout the movie, he tells the audience about Cameron. His cold relationships with his parents, his character flaws. Cameron Fry is the focus because he is about to make the biggest change (AKA protagonist)

2. Ferris helps the characters grow up not down

At a quick glance, you might think that Ferris is encouraging his friends to go off on a childish adventure. But he’s not. He’s forcing them to challenge authority and assume their own identities as adults. They’re not skipping school to go to the local arcade (which is what Rooney thinks they’re doing). He’s taking them to art museums, fine restaurants, and even the stock exchange. At every moment he’s challenging them to give up their passive childhood for an independent adulthood. Even Sloane is challenged by Ferris in this way when he asks her if she wants to get married.

It’s not about the irresponsibility, although he knows how to do that well. As the active change agent in the story he has a motive for each person. For example, it’s not about stealing the car, he’s getting Cameron to challenge his father.

In the B story, Jeanie is also forced to change in this way. She constantly gripes and moans about having no control in her life (If I was BLEEDING out my eyes you’d still make me go to school). Then after a therapeutic conversation with Charlie Sheen, she has FERRIS busting his a$$ to beat her home and SHE is the one to save him from Rooney. In parellel to Cameron’s story, she takes back her control.

3. Ferris Bueller is actually John Lennon

You really think I could go one blog post without mentioning this guy??

Okay but this is FOR REAL. I know a fellow Lennon-obsessed writer when I see one. And Hughes no-doubt-in-my-mind modeled Ferris Bueller after John Lennon. He basically tells us upfront.

Ferris first directly name drops Lennon to the audience, by quoting; “I don’t believe in Beatles, I just believe in me.” Then he tells us, “I could be The Walrus.”

Ferris spends the movie as the leader, challenging authority and encouraging mischief and mayhem a la “A Hard Day’s Night”. Hughes even recreated the same shot of them jumping in slow motion with their arms raised.

Then of course to cap it all off. He lip syncs to Twist and Shout on the parade float. And I really don’t know how you can get anymore obvious than that.

If you don’t believe that Hughes would go to such lengths to model a character after Lennon, consider The Breakfast Club, when the janitor readily admits that he wanted to “grow up and become John Lennon”. Or when Brian the Brain whispers to himself about being The Walrus.

At the very end of the film, Ferris leans back in his hands and says the classic line, “Life moves pretty fast, if you don’t stop and look around once and a while you could miss it.”

…Which is supposedly a derivative of this quote…

BONUS!

I truly feel that I would be amiss to not lead you into this excellent conspiracy theory from the inner depth of Redditt. The theory is that Ferris is actually a figment of Cameron’s imagination. It’s a more compelling theory than you would think! I’ll leave the video here, so you can have your mind blown.

Quick Writing Update

Hey guys. Here’s a stream of consciousness writing update.

It’s really hard to stay motivated sometimes.

In May I took a break from writing for two weeks because we had friends and family in town and now I’m really struggling to jump back into it. My Beatles book has only been querying for a few months but the rejections (although an important part of the process) can be hard hits sometimes.

Not only that but I discovered that Disney Hyperion picked up a series a similar idea as the one that I’m currently working on. I don’t know if that means the market is good for mine, or if I’m SOL. Now, I’m trying to shape this book into something that can stand on it’s own two feet. It’s different enough that I’m confident to finish, but still feeling that pressure knowing I’m going to have competition right out of the gate.

I’ve just been thinking about the back end of publishing too hard and it’s effecting my art. I don’t want to write for a publisher. I want to write for me. But then, can I really feel successful even if nothing happens with my writing? I’d like to think that I would. My bookcase is already filling with manuscripts faster than I thought it would. Soon I’ll have an entire shelf of my own completed work. But still would be nice to share some of these stories with you guys.

My electrician surprised me the other day by asking me all about my writing. When he asked me if I could send him the link to “my shop” I sheepishly gave him the name of the anthology I was published in three years ago. People asking where they can buy my work is happening a lot more often. I’ve always considered at some point self publishing. Even for curiosity sakes.

I told my critique partner that if I were ever to self publish Love Me Do, it would do the absolute best as a radio-play type audiobook. I envision this as being it’s highest and most entertaining form. There’s a lot of music in it; Beatles, 50s, and even new, original songs. I think being able to hear the quips from a Lennon impersonator would be fabulous. I could do the narration and the main character Em. That really wouldn’t intimidate me. But anyway, not to get your hopes up about it, because to be able to bring exactly what I imagine to light would cost a lot in production. I would have to find some bang up impersonators AND an impersonator band. Figure out copyright and legality. All the actors and sound production and music to mix. It would just be a lot. Even though that’s probably the best form this story could take.

I wanted to cheer myself up, so I had a graphic designer help me with a book cover. Not for any other reason than to put the thing on my shelf and feel better about the hard two years that went into it.

Thanks for hanging in there with me. I’m sure it’s not fun hearing about projects that are not available to read. I’ve had a lot of brainstorming over this blog and well, about you guys! I’ve been playing with some ideas. Ways to bring you into my writing world a lot more! A fun community to build!

So that’s all I want to say I guess, is thank you from my inky writerly heart for supporting me and reading what I have to say and letting me have a voice. I love you guys.

I CAN’T BELIEVE I FINISHED THE BOOK!

My heart is so full right now. I am thrilled beyond belief to announce that I have finished all the edits on my Beatles time travel book! If you’ve been following along at all, then you know I have been pouring my soul into this project, off and on for the past two years. Typing ‘The End’ feels both relieving and a little sad haha (which I did NOT expect to feel that way).

There are just SO many people that I need to thank for the completion of this book:

DAN for enduring the countless hours of my absence

MY KIDS for playing quietly on occasion and allowing Mommy “book time”.

MY MOM for calling me early in the morning just to demand to know what happens in the next chapter. (Making me feel like maybe this book isn’t the worst thing in the world!)

MY CP MERRILL for all the feedback, creative insight, advice and emotional support

LIZETHE and STORMIE for being terrific invested beta readers and encouraging me through the drudgery of editing

TAYLOR for watching my kids a couple of times so I could write

KATE FRIDRICKS for being my Liverpudlian eyes and ears and teaching me all things Scouse.

The wonderful BILL HARRY for being very, very kind and answering the oddest questions, sending his articles my way and sharing his incredibly precious memories of John Lennon.

JOHN, of course, for being such a freaking interesting and dynamic person to write about

And EVERYONE for their support, related memes, interest of any kind, reading this blog post lol

So I’ve already started the query process (aaaaaaaah). I don’t really know what will come of it, but it feels good to have another manuscript completed and on my shelf.