Do I Remember the Emo Phase Wrong??

I’ve seen so many nostalgic reels and memes for the early 2000s Emo phase and it genuinely got me questioning my memory. Like am I experiencing a mandela effect or something?? Because I feel like I’m remembering everything differently than everyone.

So, mostly the memes in question here are the ones that reference “The Holy Trinity” of Emo music: My Chemical Romance, Panic! At the Disco, and Fall Out Boy. And while I remember My Chemical Romance being decidedly “Emo music”, I remember all my emo friends listening to screamo. Like if someone had an emo style we joked that they listened to “Hawthorne Heights”. I remember Panic! At the Disco being very mainstream, and like the “preppy” kids were the ones walking the halls singing ‘Nine In the Afternoon’. But both Panic! and especially Fall Out Boy were considered ‘Alternative’ which was a whole different category of style.

And anyway that’s the whole other thing that I remember different. It seems that after twenty years we just categorized all 2000s teenagerdom into emo culture, but what I remember is us being very insistent at the time that they were all different styles.

True emo style was a way you could show the world that you were hardcore but sad. Stereotypically, Emo culture centered around self-harm. And everyone made a lot of yikes jokes about it. They wore black on black on black. Black box-dyed fringe, black eyeliner, black chunky skater shoes, black “girl pants” (because it took them forever to make skinny jeans for men). Kinda like old school ‘goths’, but what was super weird was you could still be a ‘goth’ and not be ‘emo’. Like trench coat vampire kid with black eyeliner was a goth not an emo. But if he suddenly cut deep-parting fringe and got a chunky metal studded belt we might be like, ‘oh, okay now he is.”

But there was an offshoot of all that, where you could still have mushroom hair and viper piercings but wear brightly colored skinny jeans instead. And that style we called “scene”. Even though they were the same cut and make as emo just in a different color pallet we were adamant that “scene kids” were a totally different thing. Scene Kids were the ones that were dying horizontal stripes in their hair and like sometimes they would wear racoon tails lol. I feel like they were the ones who popularized “rawr XD”. I also remember their music being totally different than “The Holy Trinity memes”. They also listened to screamo. But it wasn’t the “cut my wrists and black my eyes” emo songs. It was like totally unhinged random stuff. Like Hadouken! or Pierce the Veil or something.

AND THEN if you didn’t want to totally fry your hair off you could just dress ‘Alternative’ lol. (There were MANY ways to be non-conforming in the early 2000s, I promise.) And alternative kids were decidedly NOT emo. At all! Alternative kids wore random suit coats or ties over their graphic tees and like those newsboy caps. And a lot of times they had those black rimmed Patrick Stump glasses, which would later become a HUGE Hipster accessory. (Okay, I haven’t seen any nostalgic “hipster” memes. But that was such a thing in the early 2010s.)

I don’t know if this was just in my local circle or not, but there were a lot of alternative kids who were desperately trying to keep third wave ska music relevant. And some of us literally called our style “Ska”. Which was basically just alternative but with a lot of black and white checkered stuff. And we’d do that little “skank” dance thing lol.

There were also metal heads who were totally separate from all of the above, other than the fact that they too wore the big spikey belts and the chains attached to their wallets. But metalcore music was for sure not emo. Like Avenged Sevenfold or Bullet for My Valentine and stuff. System of a Down, too.

No matter which one you were though, you could shop at a Hot Topic in the early 2000’s.

In short, does all this technicality even matter? No. Do I have to be as snotty and particular as I was at sixteen? No, I do not. If the girl who grew up wearing Abercrombie polos wants to remember having an emo phase because she listened to Fall Out Boy on the radio, that’s totally valid! But listen, getting freakin’ old and seeing your high school experiences come up as vintage nostalgic memes kind of sucks. So, if I don’t get to tell young whippersnappers what it was like “BACK IN MY DAY” then what’s the fun in that?

So that’s it. History class is over. You can put Papa Roach on your iPod shuffle now and drink your Code Red Mountain Dew in the library.

How to Lengthen and Structure Scenes: The Rainbow Technique

I am a terrible underwriter. I would spend months planning a novel only to have it come out to thirty thousand words. EVERY SINGLE TIME. One time as part of a writing conference I had an industry professional examine my work and they gave me 10/10 for voice… 2/10 for pacing. Yeah, I mean, not surprising. I write like the impatient level 5 tornado that I am. So I did a lot of soul searching. Spoke to my higher self. And this technique popped into my mind like the godsend that it was.

And I am going to share it with you, dear writer. Because this has absolutely saved my writing life.

I call it “The Rainbow Technique”. And it’s a way to structure individual scenes.

The idea of The Rainbow Technique is that you can structure an individual scene using the seven colors of the rainbow. First, you figure out your three primary colors. Which would be the three major components of a scene: The set-up, the conflict and the resolution. (If you prefer, you can think of it in Dwight V. Swain’s phrasing, “goal, conflict, disaster”.) For the sake of this technique and rainbow imagery, the three parts of a scene are assigned these colors:

Red – The set-up (the character’s goal)

Yellow – The conflict

Blue – The resolution (or disaster)

But of course, those aren’t the only colors of a rainbow. There are colors in between. For whatever reason, this is the imagery that helped me to appropriately slow down my scenes. You need red, yellow, blue but you also have orange, green and purple. Just as you need a set-up, conflict and resolution, you also need moments in between that transition and build.

So therefore, “a rainbow structure” could look something like this:

Red – The set-up

Orange – Lead up to the conflict

Yellow – The conflict

Green – Lead up to the resolution

Blue – The resolution

Indigo – Character’s emotional reaction

Violet – Character makes a plan for the next scene

Note that the scene doesn’t end at the resolution. It’s a resolution of the conflict but the character still needs to react and act to whatever happened. This is called “a sequence” and it’s very helpful to readers to connect with your character.

The idea of “lead ups” might be kind of weird to grasp at first, so I’ll give you an example of how to use this technique to rewrite a scene that’s too short.

A skimpy scene I might write could be something along the lines of:

Sir Gallant arrived with his men to the castle and knocked on the door. Suddenly, an enormous red dragon burst through the wood, sending shards flying around Sir Gallant’s men. “Retreat!” someone cried as a stream of roaring fire blew through the dragon’s mouth. The knights mounted their bucking horses and retreated to the hills. The men sought shelter in a cave. “We will have to figure another way in,” Sir Gallant said panting and wiping his brow.

Okay let’s take that scene and expand on it using the rainbow technique.

So, first we’re going to have a set up (RED).

In the skimpy version my set up is “Sir Gallant arrived with his men…” But how did they arrive? What did they look like as they arrived? What did the horses’ hoofs sound like? Was the ground muddy or rocky? The set up is all about painting the scene and tone. Take time here to give us as many sensory details as you can.

Next, we’ll have a lead up to the conflict. We’re not having the conflict yet, we’re just going to allude or foreshadow the fact that we are about to face some conflict (ORANGE).

I always first draft my conflict into this Hollywood jump scare. AND THEN THE DRAGON BURST THROUGH THE DOOR KABOOOOM! AND THEN SUDDENLY HE LOST CONTROL AND YELLED AT HER.  Buuuut. These moments are much much more impactful if you build tension and alert the readers that the goal might not be accomplished. For example, let’s say that when Sir Gallant arrives at the castle, they don’t knock on the door right away. Let’s write that it’s eerily quiet. Maybe the horses act nervous and stop. And then there’s a dialogue between Sir Gallant and his right-hand man, wondering why there’s no one manning the gate. Maybe they notice there isn’t a single voice to be heard. Not even bird song. With “ORANGE” we’re basically cueing the audience that something is wrong. We’re about to be met with a problem.  

Now, the real conflict (YELLOW)

The dragon bursts through. Details, details, details! In all your “primary color” segments you must add lots of sensory details. Hollow knock on the tall castle door. Wispy white smoke billowing from the crack underneath. Not just what the dragon looks like, but what he smells like. What his roar sounds like.

We’re not going to have a resolution right away. We’re going to do the same that we did before and bridge the two elements together. This character WANTS this goal. They will FIGHT this conflict. Show that they want it, don’t let them accept defeat so easily. (GREEN)

In the skimpy version we had the men retreating pretty quickly. But in this edited version, Sir Galland is not going to allow that to happen right away. We’re going to have ‘Stand your ground, men!’ and the sound of swords clanging. Certainly, we’re going to have some minor characters killed in this moment. Maybe a young man that Sir Galland had interacted with earlier. Either way, this is going to take a LOT to get him to back down. It’s going to take his right-hand-man pleading and begging him to retreat before he leaves.

Then they are forced to accept the resolution (BLUE)

Back through the woods and to the caves. You can mirror this section with the “red section” to showcase the change. Are the horses hoofs softer now that there are fewer? Is the once dry and rocky forest now smoldering and raining ash?

Now we’re not done quite yet! The character has to have a reaction and show how this resolution has affected them! (INDIGO)

We need a moment for Sir Galland to angrily throw his helmet onto the ground. Or quietly ask his right hand man “How many were lost?”. This all depends on your individual character and how this particular conflict would feel for them.

Then what is the plan? What is the hint for the next scene? If we see this proactive character formulating a plan it will keep us turning the page to see if they do indeed get this goal! (VIOLET)

Sir Galland gathers his men and explains they can no longer get into the castle through the gate or over the walls, so they’ll have to make a plan to go under the dragon. Then he asks his right-hand man where they can get shovels.

That is just a quick example of what I’ve been doing, but it’s been really effective! I personally give myself a word minimum of 300 for each color. That has extended each of my “scenes” into 2,000+ words a piece. Which makes them better suited for chapters. It works the best for me, because my previous drafting of 30k word novellas can easily be turned into appropriate length novels without having to add major changes to the plot or subplots. (Usually)

This technique helps with both plotting or editing. If you do give it a go, please let me know. I would be curious if this helps other underwriters!

My Unsolicited Advice

(I literally just sat down and typed up all of the general advice I give people when they ask… you didn’t ask… but here you go anyway hahaha)

#1

If you are considering starting a family with someone, imagine what it would be like to raise that particular person as a child. Because you will be if you have a family with them. All the weaknesses and quirks they have will be present in miniature form. Is that something you can handle?

#2

If you’re test piloting a new relationship or friendship you can get a snapshot of the person’s recreational style by taking them on a hike.
There are two types of people on a hike…

Person A: “Let’s go all the way to the top.” “C’mon, don’t slow down! Let’s see how fast we can do it!” “Let’s hang glide off the top and then go jet skiing after this.”
Person B: “Wow, a creek! Let’s stop here and talk about life for an hour. Take a picture of me by this cool tree. Let’s follow this butterfly!”

Likely you found one of these hikes more fun than the other. The way someone hikes so often reflects their vacation style (packed itinerary vs relaxing) and just how they like to have fun in general. I’m not saying you wouldn’t be compatible with said person, because A and B people can help balance each other out. But I AM saying that this conflict will come up. And it’s just good to have a heads up on that and also test how flexible the other person is to the things you like to do.

#3

My top parenting advice is to watch Daniel Tiger together with your child. Daniel Tiger’s Neighborhood is written with extensive input from early learning specialists and it models the authoritative parenting approach extremely well. The little songs are short and easy to use in the moment. I just find Daniel Tiger super informative and helpful for both the parent and child.

#4

The other parenting advice (information) I have, is that you will be parenting yourself as you parent your children. Your children are not half as hard as parenting yourself so be an extra kind parent. Give yourself kind words when things are tough. Don’t force yourself to live up to anyone else’s expectations, let you be you! Take an interest in yourself and what you like and allow yourself to explore that. You know, all good kind parent stuff.

#5

Here’s something, a secret more than advice. Your thirties are going to be way better than your twenties. Yes, you’re skinnier in your twenties. Yes, you have more freedom to play around. But your thirties is when you finally step in to yourself. You’re smarter and generally more capable. Thirties are really really great. Don’t let the anti-aging cosmetic marketing team fool you.

#6

And finally, meet yourself where you are. Whatever that means for you. Little by little DOES make a HUGE difference. If you can’t do it all do the smallest part of it. Wash one pot. Clip your fingernail. Write one email. Have some takeout today. Good job! You did something, anything. And that’s all you need. The smallest steps have saved my butt.